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| | Max Raysman, Engraver
Mr Raysman's hands are a knot of hard rope, the old skin stretched tight over bulging joints. Milky eyes beneath the cloth cap hide behind lenses. He reads the brief one letter at a time through his spectacles and pebble loupe. Seventy something years he's cut the bright lines into the metal. The patterns flow in his hands– scrolls and roses, lettering, Roman and cursive, names and dates cut in trophies and the insides of wedding rings, posies for nine-carat tie-pins, sometimes the foliage on a gent's signet ring deep-cut to bring the leaves to life. Max is dapper with a trimmed moustache. His persistence is nothing to make a fuss over. He keeps his tools sharp.
He's short, maybe five two, dressed six decades out of date in a cardigan and flannel slacks. He always undercharges. You have to bargain with him to pay for what the work's worth. "Twenty Rands," he says. "Are you sure? It seems too low. How long did it take you?" He huffs. "All right, make it thirty." Over years his hands have turned wooden like the handles of the burins they hold. 'Stickles' he calls them– they have rounded hafts a bit bigger than walnuts– and his hand, as it rattles the key on the gate, is cupped arthritically to fit that shape. The left's more lithe. It hasn't worked as hard, but the patterns move through the right. It must go on. |